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Fachgruppenausflug Kulturgeschichtliche Objekte: Stiftung für Kunst, Kultur und Geschichte und Dampfzentrum in Winterthur

Liebe Kolleginnen und Kollegen

Und noch ein Ausflug unserer Fachgruppe... und etwas für schnell Entschlossene...

Achtung: Die Teilnehmerzahl ist aus Platzgründen auf 18 Personen beschränkt!

Am Freitag, den 21. Juni 2024 findet der zweite (bzw. erste..) Ausflug der Fachgruppe Kulturgeschichtliche Objekte nach Winterthur statt.

Julian Cech von der Stiftung für Kunst, Kultur und Geschichte hat für uns ein grossartiges Programm aufgestellt, auf das wir uns schon sehr freuen.

FGKO

Bruno Augsburger/SKKG 2022

 

Anreise mit ÖV aus Basel, Bern, Zürich - bitte seid pünktlich um 8.45 in Oberwinterthur!

SBB

 

Um 08.45:
Treffpunkt Bahnhof Oberwinterthur anschliessender Fussmarsch zum Hexis-Gelände
(zukünftiger Standort Sammlungszentrum
https://www.skkg.ch/content/campo / Zum Park 5, Winterthur)

ca. 09.00 – 10.00:
Besuch der Reinigungsstation „Objekte aus Schloss Brestenberg“ – Mirjam Bernegger leitet das Projekt und berichtet von Vorgang, Herausforderungen, Sicherheit, …. Bei diesem Besuch müssen FFP 3 Schutzmasken getragen werden, die die SKKG zur Verfügung stellt.

ca. 10.00 - 10.14:
Fussmarsch zum Bahnhof Oberwinterthur, anschliessender Transfer in Richtung Wintower (Ankunft ca. 10.30)

ca. 10.30 – 11.00:
Kaffeepause (sehr wichtig ????) mit einer kleinen Stärkung, offeriert von der SKKG!

11.00 – 12.15:
Führung durchs Depot (an diesem Standort ist ungefähr ein 10tel der Sammlung eingelagert), sowie durch weitere Räumlichkeiten (zb. die interimistische Restaurierungswerkstatt)

ca. 12.15 – 12.30:
Fussmarsch aufs Sulzergelände und anschliessende Mittagspause im Ladenbistro (https://www.ladenbistro-toessfeld.ch/)

Es stehen zwei Menus für uns zur Auswahl:
Menu 1: Fleischkäse mit Kartoffel- und grünem Salat
Menü 2: Veganes Kartoffel-Dal mit grünen Linsen und Zitronenthymian
Dazu Mineral und Kaffee

ca. 13.30 – offen:
Kurzer Weg zum Dampfzentrum (https://www.dampfzentrum.ch)
und anschliessende Führung vor Ort (ca. 1,5 Stunden). Herr Notz führt uns exklusiv durch das momentan geschlossene Zentrum und informiert uns über die Geschichte der Dampftechnologie und den Umbau und Sanierung dieses Zeugnisses der schweizerischen Industriekultur.

 

Kosten:
45 CHF/Person inkl. Mittagessen, Getränke (siehe oben) und Dampfzentrum                                           

Bitte teilt uns Euren Menüwunsch bei der Anmeldung unter «Bemerkungen» mit.

Anmeldeschluss: Donnerstag, 13.06.2024!!

Wir freuen uns sehr auf diesen Tag!

Urs und Barbara – und natürlich Julian, dem wir schon jetzt ganz herzlich für die Organisation danken

Venerdì, 21. Giugno 2024 - 08:45 until 17:00

How do you do it? Transmitting Embodied Knowledge across Generations in Contemporary Art Conservation

Congressi e conferenze Externe Veranstaltung
Prenotati: 0 | Free Seats: Unlimited

International Symposium, HAWK, Hildesheim, 21 of June 2024

Participation is free of charge. Limited seats. Binding registration by email at: Questo indirizzo email è protetto dagli spambots. È necessario abilitare JavaScript per vederlo.

Embodied knowledge refers to the tacit understanding that resides within the body, which allows us to perform and refine tasks without having to consciously consider every step of such action. In the realm of complex artworks, which often contain technology-based or performative components, this knowledge is anchored within the artist’s vision, developed and fine-tuned throughout their career, and transferred often implicitly to their assistants through years of experiencing the artist’s creative process. Custom-made devices, unique installation techniques and aesthetic preferences define the artwork. However, these individualised tweaks tend to defy traditional forms of documentation, raising the question: How can we effectively impart embodied knowledge to others?

Bringing together experts from an array of disciplines, the symposium aims to refine the understanding of concepts such as implicit, tacit, procedural, and embodied knowledge. Participants including linguists, sociologists, conservators, artists, artist’s assistants, art historians, curators and representatives of artists’ estates will delve into the functioning of embodied knowledge and share experiences and best practices for intergenerational and interdisciplinary transmission.

Further information

21.06.2024
HAWK, Aula, Hohnsen 2, Hildesheim

Call For Papers "Performance: Conservation, Materiality, Knowledge" - 36th Congress of CIHA Lyon 2024 Matter/Materiality

Call for Papers Externe Veranstaltung
Prenotati: 0 | Free Seats: Unlimited

We are thrilled to invite paper contributions to our thematic session, "Performance: Conservation, Materiality, Knowledge" to be held at the 36th Congress of the International Committee for the History of Art (CIHA, June 23-28, 2024 in Lyon, France) on the theme "Matter Materiality."

 

Call For Papers "Performance: Conservation, Materiality, Knowledge" - 36th Congress of CIHA Lyon 2024 Matter/Materiality, June 23-28, 2024, Lyon, France

We are thrilled to invite paper contributions to our thematic session, "Performance: Conservation, Materiality, Knowledge" to be held at the 36th Congress of the International Committee for the History of Art (CIHA, June 23-28, 2024 in Lyon, France) on the theme "Matter Materiality."

Performance art is often considered an immaterial medium. Yet its immateriality is belied not only by the many material physical traces it leaves behind – including documents, costumes, and other objects – but also by the insistent, if ephemeral, materiality of the human body. This proposed panel seeks papers on the topic of performance’s materiality considered through the lens of conservation. What is the relationship between a performance and the materials it leaves behind, and what experience of the performance can be gleaned from them? Do photographs, “relics,” and other objects replace an absent body, thus smothering performance’s liveness, or do they refer melancholically to an unfillable lack? How might we understand the materiality of the body or, indeed, that of non-human performers such as animals, machines, or even bacteria? How can the material or immaterial elements of a performance be conserved? Though performance has sometimes been considered beyond the realm of art conservation, its increasing presence in museums and museum collections has rendered these questions urgent.

Encouraging global perspectives and particularly those from underrepresented contexts, we are calling for papers from scholars, conservators, artists, curators and others that take a theoretical or practical approach to exploring the various materialities of performance and their role in its continuation. We encourage contributions from all over the world that explore the conservation of contemporary, historical or indigenous performance; comparative examples of modern Western and non-Western conservation practices of performance conservation; performative elements in material art forms; the materiality of the performing body and its documentatory potential; the persistence of performance through physical elements or traces; the role of orality in the conservation of performance; aspect of continuity of performance in indigenous cultures; non-human performance and its conservation; care-thinking and communities of care and performance conservation; or any other relevant topic.

This panel is organized by team members of Performance: Conservation, Materiality, Knowledge - Hanna Hölling, Jules Pelta Feldman, Emilie Magnin, Joanna Lesnierowska and Charles Wrapner - a research project sponsored by the Swiss National Science Foundation and hosted by the Bern Academy of the Arts. While there has been increasing interest within scholarship and curatorial practice in performance and its afterlives, this research project is amongst the first to broadly and acutely address the problem of performance conservation both outside and inside institutions.

Submissions must be in either English or French and should include:

-a title

-350-500 word summary

-500 characters CV

The proposals can be submitted via the official CIHA Congress Call for Papers website on or before 15 September 2023: https://www.cihalyon2024.fr/fr/appel-a-communications.

Important dates:
Opening call for papers: 12 June 2023
Closing call for papers: September 15, 2023
Selection: October 11, 2023
Publication of the preliminary program of the 36th CIHA Congress: 27 October 2023
Conference dates: 23 to 27 June 2024

The presentations will take place in person in Lyon at the Congress Centre – Cité internationale. Mobility aids will be available on the website: Call for Grants (https://www.cihalyon2024.fr/fr/appel-a-bourses).

For further information on the call for papers, visit the Call for Papers (https://www.cihalyon2024.fr/fr/appel-a-communications), the Frequently Asked Questions (FAQs https://www.cihalyon2024.fr/fr/faq) or contact the CIHA Scientific Secretariat: Questo indirizzo email è protetto dagli spambots. È necessario abilitare JavaScript per vederlo.

For any technical question regarding your submission, please contact: Questo indirizzo email è protetto dagli spambots. È necessario abilitare JavaScript per vederlo.

For any questions regarding content calls for papers, contact the session chairs at Questo indirizzo email è protetto dagli spambots. È necessario abilitare JavaScript per vederlo..

Organisation

International Committee for the History of Art (CIHA)

Website

https://www.cihalyon2024.fr/fr/appel-a-communications

Domenica, 23. Giugno 2024 until Venerdì, 28. Giugno 2024

FG Architektur und Denkmalpflege: Exkursion ins Unterengadin

6. Juli 2024 - Exkursion der Fachgruppe Architektur und Denkmalpflege Ins Unterengadin.

Wir besuchen den Kirchturm Sent (Baustelle Betonkonservierung)
und den Kalkbrand am Kalkofen "Calchera stella" in Sur En !

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Liebe Mitglieder!
Die Fachgruppe Architektur und Denkmalpflege freut sich, Euch zu einer spannenden Exkursion am Samstag, den 6. Juli 2024 ins Unterengadin einzuladen.

Unser Programm beginnt mit einer Besichtigung der Baustelle an der spätgotischen Kirche St. Lorenz (rät. Baselgia San Lurench) in Sent, geleitet von Tobias Hotz. Dort werden wir den 1899 errichteten neogotischen Kirchturm erkunden, der aus Tuff, Granit und Beton der ersten Generation erbaut wurde. Nachdem Teile des Turms abgefallen und erhebliche Schäden festgestellt wurden, wurde im Jahr 2023 eine Voruntersuchung durchgeführt und die Ausführungsarbeiten für dieses Jahr geplant, welche wir nun besichtigen werden.

Nach einem gemeinsamen Mittagessen geht es weiter mit der Besichtigung des Kalkofens "Calchera Stella" in Sur En.

2013 hat der Maurer, Bildhauer und Sgraffittokünstler Joannes Wetzel zum ersten Mal im Engadin Kalk gebrannt. Mittlerweile als Verein „Kalkwerk“ organisiert, findet im Ofen „Calchera Stella“ alle zwei Jahre ein Kalkbrand statt; dieses Mal vom 29. Juni bis zum 6. Juli. Wir haben das Glück, den Ofen am letzten Tag des Brandes zu besuchen.

Für die aktive Teilnahme am Kalkbrennen empfehlen wir jedoch ein paar Tage früher anzureisen. Den Exkursionstag schliessen wir mit einem gemütlichen Apéro am Kalkofen ab. Weitere Informationen zu Kalkwerk: https://kalkwerk.ch/

 

Für Interessierte, die bereits am Vortag anreisen, bietet Andreas am Freitagnachmittag, 5.7. ab 17:00 eine Führung zur Notsicherung der romainschen Deckentafeln in der Kirche St. Martin in Zillis an. Interessierte mögen bitte auf dem Anmeldeformular die entsprechende Option auswählen oder wenden sich direkt an Andreas (Questo indirizzo email è protetto dagli spambots. È necessario abilitare JavaScript per vederlo.).


Herzliche Grüsse, Andreas + Max


Sabato, 06. Luglio 2024 until Giovedì, 09. Maggio 2024 11:00 - 17:00
Sent und Sur En

Fachgruppenausflug Kulturgeschichtliche Objekte, 22.8.2024

Liebe Kolleginnen und Kollegen

Am Donnerstag 22. August 2024 unternehmen wir einen Fachgruppenausflug ins Schweizer Holzbildhauereimuseum in Brienz mit Holzkuhschnitzen.

Schweizer Holzbildhauerei Museum
Hauptstrasse 111
Postfach 592
CH-3855 Brienz

Wir treffen uns in Interlaken Ost auf dem historischen Raddampfer Lötschberg. Abfahrt der Lötschberg ist um 11:07 Uhr. Nach Ankunft in Brienz essen wir im Restaurant Walz

Walz GmbH   
Hauptstrasse 102  
3855 Brienz 

Um 13:45 Uhr beginnt unsere Führung im Bildhauereimuseum. Danach dürfen die Teilnehmerinnen selbst eine Kuh schnitzen und bemalen. Nach der harten Arbeit gibt es um ca. 16:00 Uhr einen Apéro. 

Die Teilnehmerzahl ist auf 20 Personen beschränkt. 

- Die Fahrt auf der Lötschberg kostet mit Halbtax CHF 12.40 und ganz CHF 24.60.
- Der Besuch im Museum mit Holzkuhschnitzen und Apéro kostet CHF 52.-- pro Person.
- Das Mittagessen mit Getränk und Kaffee kostet ca. CHF 35.-- (Barzahlung vor Ort)

  • Menü 1
    (Gemischter Salat)
    Pastetli vegi oder Fleisch
    Wasser 0.5l, Kaffee
    CHF 43.-- mit Salat
    CHF 33.50 ohne Salat
  • Menü 2
    (Gemischter Salat)
    Penne mit Tomatensause, Oliven und Feta
    Wasser 0.5l, Kaffee
    CHF 37.50 mit Salat
    CHF 28.-- ohne Salat

Bitte teilen Sie uns Ihren Menüwunsch bei der Anmeldung unter "Bemerkungen" mit.

Anmeldeschluss ist der Montag 12. August 2024

Wir freuen uns sehr auf den Tag! 

Herzliche Grüsse 

Barbara und Urs

22.08.2024

TRADITIONELLES HANDWERK – PFLEGE UND VERMITTLUNG

Der von der Stiftung Pro Kloster St. Johann und ihren Partnern organisierte Workshop soll der Vernetzung und dem Erfahrungsaustausch zwischen Institutionen des In- und Auslands dienen, die im Bereich der Pflege des traditionellen Bauhandwerks tätig sind, und so das Weiterleben der lebendigen Handwerkstraditionen fördern.

Giovedì, 05. Settembre 2024 until Mercoledì, 11. Settembre 2024 14:00 - 17:00
Müstair, Kloster St. Johann

3rd Conservation-Restoration Conference ConRestCon 2024

Call for Papers Externe Veranstaltung
Prenotati: 0 | Free Seats: Unlimited

The Croatian Conservation-Restoration Association (HRD) is honored to invite you to the 3rd Conservation-Restoration Conference ConRestCon 2024 which will be held on September 19, 2024, at the premises of the Croatian State Archives, Marko Marulić Square 1, Zagreb. This year, we celebrate 30 years of the Croatian Conservation-Restoration Association!

The Conference will be held both in Croatian and English, and you can participate as a speaker/presenter (oral presentation, video, or poster presentation) or as an attendee. The Croatian Conservation-Restoration Association has prepared gift awards for the best presentation and the best conference poster this year, artistic works by student Iris Lobaš Kukavičić.

Attached is the announcement of this year's conference with all relevant information and instructions for registration. The application form can be found in the attachment or on the social media of the HRD. The filled-out registration form must be sent in .doc format by June 15, 2024. (This is the first call for participation; there will be another deadline by August 15 if you are unable to send your application by June 15).

Due to the limited number of participants at the Croatian State Archives premises, registrations for participation in the Conference are mandatory. Secure your place at the conference by contacting the Croatian Conservation-Restoration Association secretary Helena Bosnić via email: Questo indirizzo email è protetto dagli spambots. È necessario abilitare JavaScript per vederlo. by September 10, 2024. The Conference will be available on the Zoom platform for participants unable to come personally, please contact the Croatian Conservation-Restoration Association secretary Helena Bosnić via email: Questo indirizzo email è protetto dagli spambots. È necessario abilitare JavaScript per vederlo. if you wish to be sent a link.

Yours sincerely, Croatian Conservation-Restoration Association

docConRestCon_2024_-_application_form.doc

pdfConRestCon_2024_-_call_for_participation.pdf

19.09.2024
Croatian State Archives, Marko Marulić Square 1, Zagreb

Resilience: Adapting heritage preservation to future challenges”

Call for Papers Externe Veranstaltung
Prenotati: 0 | Free Seats: Unlimited

NKF-Danmark has the pleasure to invite proposals for the upcoming 23rd Triennial NKF Congress preprint.

The Congress topic is

RESILIENCE: Adapting heritage preservation to future challenges.

Our wish is to set focus on preservation ethics, practices and goals in a rapidly changing world. We would like to offer space for discussion on resilience in conservation and of the conservation profession; how the field adapts to changes in climate and biodiversity, international political structures, colonial dynamics and other contemporary issues. Furthermore, we would like to broaden the discussion on how heritage preservation can contribute to a change of conduct amongst people, institutions, and society.

The 23rd Triennial NKF Congress aims at showcasing the newest research topics in heritage preservation in the IIC-Nordic Group and likewise invites international researchers to bring their knowledge to northern Europe. We believe in the importance of inclusion and sharing with our communities and gaining new perspectives from it.

Therefore, we encourage interested speakers worldwide, with background not only in conservation but other heritage-related areas, and expertise within the theme of the congress, across gender and gender identities, age, religious and ethnic background, to submit an abstract on one of the topics below:

Resources & sustainability. Keywords: Humans as a resource, interdisciplinarity, sustainable practices in architecture, conservation, archaeology, and environmental conservation

Co-creation & collaboration. Keywords: Interdisciplinary collaborations, inclusion, traditional practices, representation, ownership, responsibility, volunteering

Conflict & care. Keywords: Repatriation and representation, decolonization, recovery, emergency response, raising awareness

Change & persistence. Keywords: Education, heritage skills, legislation, heritage communities and organisations, digitisation

The topics include but are not limited to the abovementioned keywords.

Submissions of up to 400 words must be sent to Questo indirizzo email è protetto dagli spambots. È necessario abilitare JavaScript per vederlo. no later than 11:00 pm CET on 5th November 2023. The authors of the accepted abstracts will be notified by 1 December 2023, and will receive instructions on the further process.

Please state the topic you would like your submission to be considered for, as well as whether you will commit to a full article or an extended abstract for the preprint. Please note that only the full articles will be peer-reviewed.

Get the latest news of the conference and calls by subscribing to our newsletter at www.nkf-dk.dk/congress2024

Giovedì, 03. Ottobre 2024 until Venerdì, 04. Ottobre 2024